Book spine poem: Life Is Everywhere

 

Life Is Everywhere

Flesh and stone.
Heart of the land, the life of the skies,
the medusa and the snail.
Red giants and white dwarfs.
The fabric of the heavens.

Everywhere being is dancing.


With gratitude to the authors of these books: Lucy Ives, Richard Sennett, various authors edited by Joseph Barbato and Lisa Weinerman of the Nature Conservancy, Jonathan Rosen, Lewis Thomas, Robert Jastrow, Stephen Toulmin and June Goodfield, and Robert Bringhurst.

I’m also grateful to Monroe County Public Library and Wells Library at Indiana University for the use of the first and last books appearing in the poem. The good thing about keeping a stack of library books on the corner of the dining table is that sometimes when I’m eating, my eyes rest on them, and an idea occurs.

A Dream of Time

Someday I hope
to let the days go by so quietly
I can keep up with them.

To abide in changing light and shadow, leaf and branch.
To observe the play of clouds,
the slow passage of moon, planets, stars.

To feel Earth turning,
carrying me with it.
To dwell comfortably in time.

 

Bitterns in Knickers

With sincere apologies to Oscar Hammerstein

Bebop and goosenecks and bitterns in knickers,
Night-blooming nettles and pizza with kippers,
Naughty pajamas for afternoon flings:
These are a few of my favorite things.

Granules and nodules and spicules with poodles,
Snitches with itches and decadent bugles,
Wildebeests soaring on flea-bitten wings:
These are a few of my favorite things.

Kangaroos dancing to music that clashes,
Schnauzers at play at the foot of Parnassus,
Honky-tonk fiddles and nebulous kings:
These are a few of my favorite things.

When the pip squeaks, when the flip flops, when I’m peeling shad,
I simply remember my favorite things,
And then I don’t feel so plaid.

Naming Myself

I was baptized Mary Anne, named for two impossibly virtuous women, the Blessed Virgin Mary, mother of God, and Saint Anne, her mother. They were the epitome of Catholic womanhood in my parents’ world. A baby name book told me that the names mean bitter and grace.

When I was small, my mother and I had a game where we pretended, just between us, that I was called Cynthia. I don’t remember how it started or which of us chose the name. I think she might have really named me Cynthia if she hadn’t been limited to Catholic names.

The day I started my first full-time job, at 16, someone asked me if I went by Mary or Mary Anne. On an impulse, I said “Mary.” I still don’t know why I did that. Maybe I was taking a step away from my parents’ image of me. (Maybe I was just anxious and flustered.) I’ve been Mary ever since to most of the world, although I remained Mary Anne to my family for years. Under both names, I’ve tried to be who I thought I should be. I’m still not sure who Mary is.

Sometimes I dislike the sound of my name on my inner ear. I’m not sure if it’s the actual sound of the word that bothers me. It might be the echo of bitter holiness, or the fact that it reminds me of all my inadequate past selves.

For now I will call myself beloved. Honey girl. Maria, the wind; Cynthia, the moon. Cuore del mare, heart of the sea.

Image by Pexels from Pixabay

(I made a few tweaks to this piece after I published it.)

The Real Questions

When to sew the stitch in time
and when to be not anxious for the morrow

Whether many hands will lighten the work
or spoil the broth

Which illusions to cherish
and which to let fade

When to let my sorrow flow
and weep to ease its passage

and when to smile at my sorrow—
old friend that it is—
and invite it to dance

Unfold

The world sent me a message this morning. It said: “Hello there, square peg. You haven’t been making much effort to fit in lately. Here’s a nice round hole you might be able to squash yourself into. What do you say?”

And in the evening, life said to me: “Here are trees and sunset, twilight, moon, planets. Here are books, poems, pens and paper. Unfold into whatever shape you are tonight. Here is room for all your odd angles.”

First Christmas Without

Sent very few Christmas cards, all of them late.
Wrapped gifts at the last minute.
Didn’t bake the cookies.

Christmas Eve, midnight,
under the influence of moscato
and the Robert Shaw Chorale
(voices from my childhood
singing carols a cappella),
I look at old photos.

Me and my sister, eight and five,
standing in front of the tree
Christmas morning.

I have uneven bangs, an unformed look,
cat-eye glasses.
Her face is all smile
and happy eyes.

She had 51 Christmases ahead of her.
We couldn’t have imagined that many;
I can’t believe they’re all behind us.

Stop All the Clocks

In early July, I saw a weather forecast for the holiday weekend, and I was confused. Didn’t we just have the holiday weekend? 

I was thinking of Memorial Day. The day after Memorial Day, my sister entered the hospital in severe pain, and on June 17, she died. Her last illness was confusing. In retrospect, her death approached in slow stages, but at the same time, everything was over before I understood what was happening. All through June I worked and met deadlines; I knew when the calendar turned over to July. But the knowledge was only word-deep. Time buckles under the gravity of grief.

My mother once told me that when her grandmother died, her family followed the old custom of stopping all the clocks in the house. I immediately grasped the potent symbolism of a stopped clock as a metaphor for the shattering impact of the death of someone close to you. It wasn’t until my mother herself died that I understood the need to carve from ordinary time a space for attending to the dead, a chamber to hold the immediate response to overwhelming loss and to contain the reverberations of the life that just ended.

My mother also told me that she was surprised to look outside after her grandmother’s death and see people going about their lives; even the buses were running. She was a child, and the death was so momentous to her that it seemed that the world itself must stop, as well as the clocks.

The world hasn’t stopped for me, but current events have become a play performed on a stage in another realm entirely. An important part of me is still in the chaotic landscape of June, of my sister’s last illness—the place where I lost her.

In this timeless space, the loss is still fresh and impossible to fathom. My thoughts approach her absence, and the permanence of her absence, and then recoil. It doesn’t seem possible. I spoke with her not long ago. She was just here. She’s always been here. How can she be gone?

It’s as if I imagine that I could leave the river of time for a while and linger on the bank with her in the place where she last was. Although I know she’s gone, I feel reluctant to leave her behind. But all the while, the river is carrying me away from her. I can see that she’s receding from me, silent and still now except in memories. I can see that I must carry my grief in the place where the clocks are still running.

Walkers’ Rhymes

walk / sock / hollyhock / rock
no clock

cobblestone / shinbone / pinecone / milestone
alone

roam / biome / home

feet / street / sleet / sweet
complete

roots / boots / tree shoots

sunshine / syncline / sign

soggy / boggy / foggy

snow / crow / bestow / flow

wild / beguiled / child
reconciled

dell / seashell / spell / tell

lodestar / go far

guide / countryside / hit my stride
satisfied

creek / peak / seek
mystique

songbird / word / heard

sky / butterfly
passing by

mud / redbud

tree / scree / bee / chickadee

sunset / sweat

release
peace

Image by Thomas Hendele from Pixabay

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The backstory: Robert Macfarlane tweeted about a book called Walker’s Rhyming Dictionary. I initially misread the title as Walkers’ Rhyming Dictionary, which got me thinking.

Peonies, Iris, Cicadas

This May: peonies, iris, cicadas. And me.

Next May the peonies and iris will blossom again. After this season’s flowers are gone, leaves will turn sunlight into energy to be stored by roots for next season. Some of the peonies I see now might go on blooming every year for decades.

These cicadas will be gone in a few weeks. But the urgent clamor and frenzied mating in the trees begin a new cycle. Young cicadas will tap tree roots for sustenance and live through multiple versions of themselves underground before they emerge in turn 17 years from now.

Will I be here to see the next adults of Brood X appear? Or, for that matter, will I be here a year from now, when iris and peonies bloom again? What new versions of myself might I grow into, given time? I contemplate futures, tracing paths through a cloud of possibilities. My body is preparing a future I can’t see.

All I know for sure is this: I am here this May.

Image by PublicDomainPictures from Pixabay